翻訳と辞書
Words near each other
・ Anna Ehrenström
・ Anna Ekelöf
・ Anna Elbakyan
・ Anna Eleonore of Stolberg-Wernigerode
・ Anna Eliot Ticknor
・ Anna Elisabet Weirauch
・ Anna Elisabeth Ljunggren
・ Anna Elisabeth of Anhalt-Bernburg
・ Anna Elisabeth of Saxe-Lauenburg
・ Anna Eliza Bray
・ Anna Eliza Jenkins
・ Anna Eliza Williams
・ Anna Elizabeth Botha
・ Anna Elizabeth Dickinson
・ Anna Elizabeth Jerome Spencer
Anna Elizabeth Klumpke
・ Anna Ella Carroll
・ Anna Enquist
・ Anna Epps
・ Anna Eriksdotter
・ Anna Eriksdotter (Bielke)
・ Anna Eriksson
・ Anna Erlandsson
・ Anna Erschler
・ Anna Escobedo Cabral
・ Anna Eshoo
・ Anna Essinger
・ Anna Etheridge
・ Anna Eva Fay
・ Anna Evseeva


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Anna Elizabeth Klumpke : ウィキペディア英語版
Anna Elizabeth Klumpke

Anna Elizabeth Klumpke (October 28, 1856 – February 9, 1942), was an American portrait and genre painter born in San Francisco, California, United States. She is perhaps best known for her portraits of famous women including Rosa Bonheur and Elizabeth Cady Stanton (1889).〔("American Art: Lesbian, Nineteenth Century" ), glbtq, Inc.〕
==Life and career==

Anna's father, John Gerald Klumpke, born in England or Germany,〔David Rogers, ("John Klumpke's "Homestead" on Pine Ridge" ), ''The Double Cone Quarterly'', Spring Equinox 2000, Volume III, Number 1〕 was a successful and wealthy realtor in San Francisco. Her mother was Dorothea Mattilda Tolle. Anna was the eldest of eight children, five of whom lived to maturity. Among her siblings were the astronomer Dorothea Klumpke-Roberts, the violinist Julia Klumpke, and the neurologist Augusta Déjerine-Klumpke.
At age three, Anna fell and suffered a fracture of her femur. She fell again at age five and suffered osteomyelitis with purulent knee arthritis. These problems handicapped her, and her mother went to extraordinary lengths to find a remedy by taking Anna and three of her siblings to Berlin for treatment by Dr. Bernhard von Langenbeck.
The treatment lasted 18 months and included thermal baths at Kreuznach. Unfortunately, it was not successful, and Anna remained hobbled all her life. While they were in Europe, her mother ensured that her children received excellent tutoring.
The time away in Europe strained the Klumpkes' relationship. When Anna was fifteen, her parents divorced. She and her siblings (now numbering five) moved with their mother to Göttingen, Germany, where they lived for a time with Mattilda's sister, who had married a German national. Anna and her sister Augusta were sent to school at Cannstatt, near Stuttgart. When she was seventeen, the family moved to Clarens, near Lake Geneva in Switzerland where she spent two years in a boarding school.
Anna studied art at home for the next few years, and in October 1877, moved with her family once more to Paris, where she was later enrolled in the Julian Academy (1883–1884), under the tutelage of Tony Robert-Fleury and Jules Lefebvre. She spent many an hour copying paintings in the Musée du Luxembourg, including Rosa Bonheur's ''Ploughing in the Nivernais''. At one point, she also studied under Vuillefroy. She presented her first work at the Paris Salon in 1884, while still at the Academy, and she won the grand prize for outstanding student of the year. She exhibited regularly at the Salon for several more years. After completing her studies, she returned to the United States for a few years and taught in Boston. However, by 1889, she was back in Paris.
As a girl, Anna had been given a "Rosa" doll, styled after the French animal painter Rosa Bonheur—so famous at the time that dolls were made in her image. From early childhood, Anna had been fascinated and inspired by the woman artist.〔Lawrence J. Cantor & Company, ("Anna Elizabeth Klumpke, (1856–1942)" )〕
Intent on painting Bonheur's portrait, she met Rosa Bonheur on October 15, 1889, under the pretext of being the interpreter for a horse dealer. The two women were soon living together at Bonheur's estate in Thomery, near Fontainebleau, and their relationship endured until Bonheur's death in 1899.
Klumpke was named as the sole heir to Bonheur's estate and oversaw the sale of Bonheur's collected works in 1900. She founded the Rosa Bonheur Prize at the Société des Artistes Français and organized the Rosa Bonheur museum at the Fontainebleau palace.
Klumpke was a meticulous diarist, publishing in 1908 a biography of Bonheur, ''Sa Vie Son Oeuvre'', based on her own diary and Bonheur's letters, sketches and other writings. In the book, which was not published in English until 1998, Klumpke told the story of Bonheur's life and related how she had met Bonheur, how they had fallen in love, and how she had become the artist's official portraitist and companion.
Following Bonheur's death, Klumpke divided her time between France, Boston, and San Francisco, finally settling in San Francisco in the 1930s. During World War I, with her mother, she established a military convalescent hospital at her home in Thomery.
In 1940, at the age of 84, Klumpke published her own autobiography ''Memoirs of an Artist''. She died in 1942 at the age of 86 years in her native San Francisco.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Anna Elizabeth Klumpke」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.